is culture industry process still goes on?

is the replacement of mass consuption of commercial culture by users' mass production of cultural objects a progressive development?

or does it merely constitute a further stage in the evolution of the culture industry?

if twenthtieth-century subjects simply consumed the products of culture industry, twenty-first-century prosumers and pro-ams are passionately imitating it, creating their own cultural products that follow templates established by professionals and/or rely on professional content.